The New Yorker - Photo Booth

The photographer doesn’t sentimentalize her subjects; she pays attention to them.

The photographer, who died last month, at the age of eighty-three, spent his life chronicling the highs and lows of the country’s post-colonial evolution.

In “People of the 20th Century,” the photographer set out to document every type and profession in the fading epoch of prewar Germany.

Brian Finke’s photographs document riders breaking through the constraints of the city’s crowded landscape—and showing off while they do.

In “Mawmaw,” the photographer Anthony Wilson pays tribute to West Virginia women who, after one tragedy or another, care for their children’s children.