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I knew about Canada’s residential schools, but I’ll admit I knew much less about the Sixties Scoop before watching “Meadowlarks.” That blind spot matters. Tasha Hubbard’s film is working from a chapter of Canadian history that plenty of people outside Canada may not know well enough, if at all: Indigenous children taken from their families [...]
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In a wordless opening sequence that launches “The Currents” (2025) designer Lina (Isabel Aimé González-Sola) graciously receives a professional award from peers. Lina then goes to the bathroom to examine herself in a mirror, and toss the trophy into the garbage. Embarking on a scenic walk through Geneva, Lina hooks her leg over a bridge, [...]
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Sagar (Irrfan Khan), an ambitious musician rents a quaint cottage while awaiting his acceptance letter to a prestigious music academy in the States. During his sojourn, he is visited by former lover Manvi (Vidya Balan), as well as by another surprising visitor — the least tenant of his living quarters, the spirit of a young [...]
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“Send Help” is one of the most aggravating films I’ve seen in a while. It’s another in a line of patriarchal take down social lesson films, wrapped in an unhinged plot and body horror. It makes sense it was directed by Sam Raimi — he’s known for this stuff. But aside his body horror resumé he’s [...]
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“Laal Kaptaan” opens with the following quote: “The day a man is born, death sets out on a buffalo to reap his soul. A man lives as long as it takes for the buffalo to arrive.” The harbinger of death in this movie however is not a buffalo but a Gossain, or a warrior monk (played [...]
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