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Dylan’s sixth studio album, following the infamous Dylan-goes-electric Newport Folk Festival and following Bringing It All Back Home.

A masterpiece from start to finish, including “L...


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This EP came out after both the debut self-titled and Wild Planet, and features three songs from each, remixed (as a “Party Remix” by Daniel Coulombe, Steven Stanley, and Paul Wexler and mixed into one long track per-side (cross-faded).

Who can resist an album called Party Mix! from the ultimate party band?

My copy—via Big Fun Records in Beverly ...


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The album that solidified the rise of outlaw country, and was the first country album to be certified platinum.

Great collection of mostly previously released songs with a few new titles, including: two songs each from Waylon, Jessi, Willie, and Tompall plus two Waylon & Willie songs and one Waylon & Jessi song.

Tompall Glaser is maybe the least ...


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Great early 80s pop – look at the outfits on that back sleeve. The Parachute Club were a Toronto band and this was their second full length following a self-titled debut.

Reminiscent a bit of Level 42 (strong baselines) but with a more mainstream pop sensibility. “At the Feet of the Moon” was a hit in Canada.

There’s an episode of Behind the VInyl withle...


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This was a follow-up to 1962’s Undercurrent, which also featured Hall and Evans. Produced by Creed Taylor and recorded by Rudy Van Gelder in two sessions in April and May 1966. It’s just Evans on piano and Hall on guitar, starting with two standards (“I’ve Got You Under My Skin” and “My Man’s Gone Now”) and then a number of more contemporary tunes, including original...


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