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“Sincerely Yours, Pauli Murray,” Grace United Methodist Church, 5407 N. Charles Street, June 6 and 7.

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In 2012, the Episcopal Church made Rev. Pauli Murray a saint, and whatever Baltimore City’s version of sainthood is, i...


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I am taken aback by the meditative quiet in the daytime at the Compound, the warehouse art center known for its nightlife. Crossing through a sun-dappled garden, the shared kitchen, and a rather graphic photo installation in the atrium gallery, I finally arrive at the studio of Stephen Towns.

Examining fear and refusing its demand to shrink, Towns is an artist who...


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Baltimore’s queer history is a tale interwoven with stories of the city’s shifts pre and postindustrialization. At the height of factory and port work in the 1930s and 1940s, Baltimore’s population soared with the arrival of Black Southern farmers and Eastern European immigrants. At the same time, queer parties and performances, at the time labelled “pansy balls,”


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Achieving financial success at the box office and producing a film that feels vital and alive are often mutually exclusive aims. “Good” movies bomb all the time and “bad” ones make billions. But in the case of “I Love Boosters,” a surreal and unconventional heist movie, it is difficult to simply laud the film’s quality in face of its relative “flopping.” It is a film that en...


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